Monday, August 31, 2015

New Paul Graham Publication from Mack Books

The Whiteness of the Whale brings together Paul Graham’s three bodies of American photographs: American Nighta shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.

Paul Graham, from the series American Night. Click HERE for more images.

Tuesday, August 25, 2015

Trevor Paglen's NSA Photographs

While looking over the List of Artists for the ART230 library research project, I was inspired to have a glance back at Trevor Paglen's work in relation to our discussion in ART230 today around the un-representable.  You may find interest in this particular project, commissioned by Creative Time (all images have been made available to the public as high-res files for any use whatsoever).  Click HERE to read the article and view the images.

About this work, Paglen states:
A surveillance apparatus doesn’t really “look” like anything. A satellite built by the National Reconnaissance Office (NRO) reveals nothing of its function except to the best-trained eyes. The NSA’s pervasive domestic effort to collect telephone metadata also lacks easy visual representation; in the Snowden archive, it appears as a four-page classified order from the Foreign Intelligence Surveillance Court.




Digital Camouflage

In light of our discussion in ART230 today, I thought some of you might find interest in this article from Gizmodo, The History of Invisibility and the Future of Camouflage.  You can link to the article HERE.

The so-called "boundary luminance" in Cramer and ADS Inc.'s US4CES (from Gizmodo)

Thursday, August 20, 2015

Welcome Back, Students!!!

Wow, it's been a minute since I've posted here. I've been on research leave for the past academic year, and had a very productive time. I hope to bring many of the experiences I had over the last year into the classroom to share with you all during the upcoming year.

To start things off, head straight over to the Cornell Fine Arts Museum to view the Jess T. Dugan exhibition, Every Breath We Drew.  I had the pleasure of meeting Jess at a photography event in San Diego last fall called Medium.  And YOU will all have the pleasure of meeting Jess this semester, during two campus visits as well as a scheduled visit to both sections of Photo I.

A bit of info on the exhibition from the CFAM website is below:

Jess T. Dugan, Devotion, 2012, Pigment print, Courtesy of the artist and Gallery Kayafas

Jess T. Dugan: Every breath we drew

For nearly a decade, artist Jess T. Dugan has been making photographic portraits that explore issues of gender, sexuality, identity, and community from a highly individual and humanistic point of view. Every breath we drew, Dugan’s most recent project, explores the power of identity, desire, and connection through portraits of herself and others. Working within the framework of queer experience and from her actively constructed sense of masculinity, Dugan’s portraits examine the intersection between private, individual identity and the search for intimate connection with others. She photographs people in their homes, often in their bedrooms, using medium and large format cameras to create a deep, sustained engagement, resulting in intimate and detailed portraits.
Dugan combines formal portraits, images of couples, self-portraits, and photographs of her own romantic relationship to investigate broader themes of identity and connection while also speaking to private, individual experience. The photographs of men and masculine individuals act as a kind of mirror; they depict the type of gentle masculinity Dugan is attracted to, yet also the kind she wants to embody. Similarly, the photographs of relationships speak to a drive to be seen, understood, and desired through the eyes of another person; a reflection of the self as the ultimate intimate connection. Through beautifully intimate and honest portraits, Every breath we drew engages larger questions about how identity is formed, desire is expressed, and intimate connection is sought. This exhibition will be accompanied by a fully illustrated book with an essay by the curator and an interview with the artist conducted by internationally-renowned photographer Dawoud Bey.