Nicely descriptive post on Hyperallergic today detailing curator Michelle Grabner's "floor" at the Whitney. Keep your eyes out for more reviews, as there will likely be a very mixed bag of responses. Click HERE to read the Hyperallergic review and click HERE to peruse the Whitney's website for the Biennial.
|Detail of Dawoud Bey’s “Maxine Adams and Amelia Maxwell (from the Birmingham Project)” (2012), two pigmented inkjet prints mounted on Dibond, ed. no. 1/6 (Sourced from Hyperallergic)|