Much of this article should resonate for students in Photo II in relation to our (all too brief) conversation on theoretical frameworks of/for photography. Writing about the works of Albdorf, Campion suggests:
"However disparate these works may initially appear, concerned as they are with various sorts of photographic production, the sum of what Albdorf has created is a study of the medium that can grapple with its diverse and often contradictory uses. As photography does not submit to a unified aesthetic identity, any response to the sort of questions being asked here will necessarily have to contend with that characteristic evasiveness. If assuming that he is solely engaged with the investigation of photography as such is perhaps to define Albdorf’s work too narrowly – and indeed to misunderstand the wider consequences of photographic representation – reading across his various projects, it seems instead that they are a sustained effort to build a composite image of photography as a means of making the world visible, with each advance being a part of the whole. Albdorf’s diverse approach is ideally situated to untangle the mesh of possibilities that make photography what it is – and which, in turn, determine how it is used."
You can read the full article HERE.
And, to see more of Albdorf's work, click HERE.
|Image Credit: Thomas Albdorf, from the series Former Writer (Sourced from paper-journal.com)|